TINA KADOIC

Your go-to person for creating dance visuals.

VIDEO REEL

10

years of experience in working with clients 1on1

3000

projects published

1

video streams and photo views
More client reviews on

RECENT WORK

WHAT I DO

DANCE SEQUENCE VIDEO

Number of locations: 1
Hours spent on set: up to 90 min
Final video length: up to 75 sec

If you want to cover all of your fresh skills for an audition tape or film a new dance sequence for your portfolio then this is a perfect format for you.
Shootings are simple, short, and sweet, with no extra hassle.
Loads of fun, stress-free, stunning final product.

CONCEPTUAL DANCE VIDEO

Number of locations: 1 – 3
Hours spent on set: 4h – 8h
Final video length: up to 4min

You choreographed a piece and now you see the whole story around it?
I got you. Sometimes we might be creating stunning visuals and ”feels’ that match the song and other times we will tell stories. Writing the script, location scouting, costumes, lights, long hours on set and an incredible experience are just some of the things that are included in this format.

DANCE BATTLES / EVENTS

Nothing worse than having a dope event with zero social content afterward to remind your guests how amazing it was.
This format is ideal to capture those raw emotions, unrepeatable freestyles and an awesome evening that you worked so hard for.

DANCE CAMPS

Organizing a dance camp is a pretty big task on its own. And it deserves the best possible visual that it can get. Some amazing moments happen only once on an event like this – and you want that caught on camera. Bring your camp the attention it deserves with the most trending social content, aftermovies, and stills that will blow your mind.

DANCE SHOWS

A lot of effort, resources and time goes into preparing a dance show just to entertain the audience for a short period of time. Why not make it last longer? Capture those ”on stage” moments, and highlight your show as it deserves.

COMPANY / STUDIO VIDEO

Every dance studio/dance company has a unique vibe, style, teaching technique, and people in its circle.
This format is perfect for standing out and putting your studio/company on a map.
Make it easier for the dancers to find you and highlight your strengths as an educational facility.

CLASS FOOTAGE EDITS

Nothing beats a good dance workshop! Also, nothing beats some good class footage to make the vibe live longer. Simple as that.

SOCIAL MEDIA CONTENT

Social media presence is more important than ever. Together we will figure out your goals and create content that will elevate your online game.

Tina Kadoic | Dance photography
Tina Kadoic | Dance photography

PHOTO PROJECTS

Do you have a vision for a photo project? Let me hear it. Also, do you need to update your portfolio? Let’s get going.
No limits, only tons of fun and some great dance photography.

CLIENTS

I had the honor of working with a lot of professional freelance dancers, studios, and companies and each of them brought me a bit more experience,
knowledge, and magic that I value and which made me the videographer I am today.
Balet HNK Ivan pl. Zajc, Dance studio Transform, Dance studio Korak, Dance school Modus, Hip Hop House, Dubrovnik Youth Tap Company… – The list is long, and you can check it in the link below.

Hi, my name is Tina and I help artists to elevate their business
with stunning visuals that stand out in a crowd.

I am a freelance content creator, working 1 on 1 with clients
and creating video and photo content tailored to their needs.

As a former dancer, I understand the needs and requirements of the industry as well as a dancer’s language.
We start the scene on 5-6-7-8, speak in terms of musicality, costumes, rhythm, and expression.
We watch out for those straight arms, knees, pointed toes, but also take care of shrugged shoulders,
and hair that loves to cover your face mid-shot.
We are aiming for a perfect visual after all.
Terms like grande jeté, plié, pirouette as well as power moves, The Running man,
tutting, wrist rolls are a home ground here, so there’s no space for misunderstanding.

My goal is to show the complexity, and uniqueness that originate from every dancer
and make them visible to their audience and potential clients.


EXPERIENCE IS KEY
In videography and photography, education and technical knowledge are inevitable
but I honestly believe that EXPERIENCE is something that sets a freelancer apart.

I personally hold a Screenwriting Diploma from London Academy, several certificates from master programs in Lithuania,
Romania, Netherlands, and Croatia that gave me a good quality foundation, but I confidently claim that almost all of my skills arise
from hearing my clients needs and visuals created throughout the years.

While dancing, I had an opportunity to work on my technique (hello early morning ballet and Horton classes)
as well as I did on my performance, learn about the urban culture, and attend a lot of classes by
Igor Barberic, Ognjen Vucinic, Nejc Nates Osovnikar, Jorge Vasquez, Nadine Sieber, etc.

After transitioning to working in the dance community I had a chance to film at various events
and workshops held by professionals such as Brian Friedman, Neguin, Bboy Junior, Lukas McFarlane (Transform dance camp), etc.
that really brought my experience and skills to another level.

BEHIND THE SCENES

BASED IN Croatia, Europe

AVAILABLE FOR COLLABORATIONS WORLDWIDE.

E-MAIL: tina@tinakadoic.com

FACEBOOK INBOX @TINA Kadoic